《看得见风景的房间》观影报告:Classical UK movie

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2017-3-6 《看得见风景的房间》1986喜欢片名胜过本身。86上译版的曹雷、杨文元、尚华的声音一出来,眼泪已夺眶而出。很可惜没有在情窦初开的青春年代看到这部影片。稚嫩的海伦娜·伯翰·卡特远不如她的哥特形象来的夺人心魄,baby face的小脸蛋太年轻太纯净,毫无波澜的情感表达平淡如水看的索然无味无法专心。只有玛吉·史密斯几十年如一日不输岁月的碎嘴刻薄看的过瘾,戏已入骨,不分年龄。时间不停,时光逝去,曾经执念憧憬的这部美好片名的终有一天得见的时候,日渐老去的心并没有给我想象中如伊丽莎白和达西般的感动。这是多么遗憾的事情,比看一出悲剧更叫人心伤。

《看得见风景的房间》观影报告:Classical UK movie(图1)

A revisit of this resplendent Merchant-Ivroy-Jhabvalacostume porn, A ROOM WITH A VIEW, has wondrously retained its entrancing lusciousness in the wake of the impeccable restoration.

Spending a belle-époque vacation in Florence, young English lady Lucy Honeychurch Bonham Carter hailed from an upper-middle class upbringing, is chaperoned by her elder cousin Charlotte Barlett Smith meets a sundry of compatriots in their pensione, among which, Mr. Emerson Elliott and his son George Sands express their willingness to exchange their rooms with the ladies upon Charlottes grievance that their rooms dont have a view. A gesture with benevolence is met with Charlottes utter dismay, who is ingrained in her straitlaced head space and constantly clashes with Lucys more open-minded temperament falling in with the story“s turn-of-the-century ethos.The pairs Florentine sojourn is topped off by an impulsive kiss from George with Lucy in its receiving end during a rural sally, what would have happened next nudge nudge wink wink is successfully pre-empted by Charlottes intervention, and the scandal is sworn of secrecy by both Lucy and Charlotte, but little do we know, one of them cannot keep that promise and the other would be fallen under the magic spell, of such a banal but passionate kiss.The next chapter spirits Lucy away to her home turf, where she consents to the engagement with a pedantic gentleman Cecil Vyse Day-Lewis but due to a quirk of fate or rather, itsauthor E.M. Forsters novelistic licence George and his father materialize themselves as the new tenants of a cottage in the same village, their settlement wrong-foots a seemingly contented Lucy, and ripples of that previous impulse accentuated by Georges constant presence actuates Lucy to rethink her nuptial decision and for the first time, acknowledges to her true feelings which will find her the fulfillment that breaches the entrenched class barrier.Consequentially, A ROOM WITH A VIEW is blessed with a cracking dramatis personae, Maggie Smith, in her another terrific Oscar-nomimated showcase that significantly solidifies her priggish spinster screen persona of her later career, self-consciously warbling her way through her passive-aggressive stock-in-trade, but when subjected to the pitfall of becoming a laughingstock, she will plough on with a tenacious obliviousness that remarkably intimates how hard for a woman of her bearings to survive apparently unscathed under such a snooty milieu.BAFTA favorite Denholm Elliott bags his once-in-a-lifetime Oscar nomination as the solicitous, agreeable Mr. Emerson, but by my lights, the champ among supporting actors against a fierce competition from Elliott, Simon Callows exceedingly personable and responsive Reverend Mr. Beebe, the mascot of the film, and Julian Sands flash-in-the-pan raffish brio is none other than Mr. Day-Lewis, stylishly out of step with the repugnant stereotype of a high-brow, conservative scion, even he is not cut out for Lucy, one certainly feels sorry for him when he accepts his defeat in a gentlemanly manner, which effectively salvages the supposedly most antipathetic character in the story and purveys Cecil a dignified, yet rather touching sheen that is not present in the book.While Maggie Smith is unequivocally the cherrypick among the film”s petticoat players, one would be too remiss to not mention Judi Denchs novelist Eleanor Lavish, who shares most of her scenes with Smith for stanned fans, it marks a monumental moment!, taking in her stride spirited convos that triumph the Bechdel test but not above tittle-tattling also Rosemary Leach has a good run as Lucys patrician, nonplussed mother, but it is quite a slight that a 18-year-old HelenaBonham Carter is left without much fanfare in her stunning film debut, who stoutly holds her own against any member of these more experienced thespians, only if her final liberation doesnt lead to a faintly saccharine revisit of Florence with her beau, but a new perspective on her own life and role in a larger context, as an independent woman who doesnt suppress her feelings and thoughts, perceives the world with an upgraded awareness, that would be a more judicious coda for todays viewers.In the , A ROOM WITH A VIEW is a nonpareil British drama-comedy, souped up by scrumptious trimmings aplenty cinematography, costume, music, production design and a collective fusillade of hallmark elocutionwhere Victorian formality fighting a losing battle with Edwardian enlightenment, and theMerchant-Ivroy-Jhabvala trinitys best work!

相关电影介绍:

看得见风景的房间

19世纪的英国,阶级隔阂还十分分明。这天,英国上层出身的露西(海伦娜•邦汉•卡特 Helena Bonham Carter 饰)和表姐夏洛特一起佛罗伦撒度假,不巧,露西住的酒店的房间看不到风景。同时来住店的英国父子两乔治(朱利安•桑兹 Julian Sands 饰)和他父亲见状,热心的父亲要和露西换一间房,因为他的房里能看到风景。露西开始不同意,在好心的店主的劝说下最终她同意了。 乔治和露西很快堕入了爱河,然而下等阶层出身的乔治身上有着很多露西看不惯的“陋习”,夏洛特也不甚喜欢乔治,双方在交往中闹了不少“笑话”。一次,乔治“越轨”吻了露西一下,露西认为乔治太过“不合礼仪”,于是独自回了英国。 乔治很快也回了国,然而,这时露西已经订了婚……

评论

  • 豆友201195514

    电影画面很美,经典的英式故事。

  • 七七

    coincidence&fate/可惜我get不到女主的颜,女主弟弟太帅了,巨可爱!

  • 無女

    想起来多年前看过这部。。。

  • 在下不财

    亲吻的时候饱含情欲,我喜欢

  • 正午

    非常朴实的电影 大概就是女主非常乐观开朗活泼 男主勇敢的追寻自己的爱情 然后相爱的故事 然而我还是想说小正午是猪

  • Maenad

    电影比小说好看多了。古典精致。

  • Yxxixi-xx

    古典,夜晚看这片子简直是种享受啊!一星给柔和精致的画面。

  • 已注销

    这才是真正的女权意识的觉醒,女性的平等的爱。

  • 班班瓜

    很老的片子,非常有英式风格,风景美如画,爱情甜如蜜,演技各个高超,标准的英国腔,配乐也动听,阶级观念的不同,大家的“伪装”及内心的澎湃,女主的演绎很动人,有颜值有演技,是一道很美的风景线。最后的房间的窗口位,画龙点睛之处,诠释爱情的美满,很美丽。

  • 爱美丽

    想念看这部电影时的大学时光。喜欢Freddie一家。

  • HALLEY

    服化道恰到好处演绎出英式古典 海伦娜年轻时这么萌!

  • Miss Claire

    剧情其实还蛮作的,围绕着我爱你、可我不爱你、其实我爱你的戏码绕了两个小时,阶级观念的主题我倒是没有看得太出来,可能完全被纯正的英伦腔、束腰裙、英式家庭的生活、乡村风景、欧洲城市风情吸引住了。也没觉得女主多灵动,大概因为她永远一种脖子前倾头抬不起来的仪态让我很跳戏。老爱默生先生倒是深深打动了我,在成长和爱情上给予儿子乔治无限的理解和支持,最后发起强有力的助攻,帮助露西直面对乔治的爱。戏剧幕布式的场景转换很特别,加1星。

  • 白鏖

    好美啊,欧洲真美啊!海伦娜竟然有这么可爱俏皮的时候hhh

  • 大新·

    我在看得见风景的房间看见了你,于是,看到了爱情。

  • OceanDolphin🐬

    我心中最朋克最cult的英国女演员竟然演过如此清秀娴静的淑女,一下子竟有些难以接受。除此之外,一切人景物都非常赏心悦目,是很规矩的爱情片,女主母亲对于阶级差异还挺看得开。想来都说英国人总爱端着姿态,可和过去的他们相比,现在真舒服多了。

  • 克洛丝蒂尔

    小时候去电影院看了第一遍,没有完全看懂,但是爱上了英国调调,太美了!

  • 照叶森林

    一个女孩的自我解放。每个角色都挺按套路。

  • 神奈川冲浪里

    大学时期老师推荐的一部电影,田园风光和欧洲风情很有味道,英音醉人

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